Synopsis
A couple's visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother.
Written and directed by William Nicholson.
Starring Josh O'Connor, Bill Nighy and Annette Bening.
Released 12th June 2020.
Review
When picking things to watch at the London Film Festival the criteria was simple... read the synopsis and choose from that. If I got bogged down in anything more I was going to miss things that could have been "hidden gems", my list would also have been never-ending... but when you spot Annette Bening and Bill Nighy in a film together you can't say no really.
Edward and Grace have been married for 29 years but the humdrum living has become too monotonous, for Edward at least. He's felt like his life needs something different for a while, knowing that Grace will react badly he invites their son to aid in his plan to leave, but he too is in the dark about what on the cards for his visit.
I was keen to enjoy this one but I think sadly the film doesn't hit all the right notes. The set up of Edward (Nighy) and Grace (Bening) in the house together perfectly reflects their relationship. Everything is together and yet they're separate. They work in different rooms, their backs to each other and while they acknowledge each other and interact it's more habit than anything else.
I'm not the best at picking up subtle things when watching films the first time around, but I noted down a couple of times that there seemed to be a lot of colour coordination. Both main characters seemed to match with parts of the house and yet those colours never seemed to cross together at any time... one of the perils od not being able to rewind a film to check is that I'm left wondering if I actually saw something or not. Perhaps I imagined it! The similarities also extended to their son Jamie and his room... according to my unverifiable notes.
I thought that Josh O'Connor and Bill Nighy had a great dynamic together, their characters share many "inherited" traits together and that played out well on screen. Annette Bening's performance was strong at times and you could definitely see the progression clearly in Grace... but...
With those good touches came a lethargic pace. The laid back sense of the whole film with just Grace as the energetic feature was a struggle to watch. I can see that it could be exactly how it would happen in reality but that doesn't mean it will work on film when you aren't invested in the parties involved.
Hope Gap touches on some strong points but never seems to address them very directly. I'm not sure I can see another way that this would have jumped off the screen, in my head it feels more suited for the intimate setting of a theatre.
What you should do
I can't honestly recommend this, while I love the actors it's definitely not their best work. It may well appeal to people who enjoy films with a much more real life feel though.
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